The Death Of Johnson s Island Essay - 817 Words

Johnson’s Island was one of 32 main facilities that Confederates prisoners were confined at. In terms of disease and death, Johnson’s Island Military Prison was not the worst prison but through archaeological research and historical records, the treatment of POWs during this time showed the changing policies that the Federal Government decided upon. In April 1862 Secretary of War Edwin M. Stanton ordered that Johnson’s Island Prison would thereafter be held as a prison for officers alone. The island had over one hundred buildings on it. Everything within the prison walls was called the Bull Pen. In the center were two rolls of six buildings with one building on the end. Twelve of these were the barracks. They were two stories high with the first floor divided into multiple rooms and two kitchens. Later the kitchens and mess rooms were removed to another building. Men would be assigned two to a bunk and bunks would be three tiered. These buildings were not sealed but weather-boarded. It did not give much protection against cold or snow. Due to poor ventilation, the men would cut small holes in the walls, normally by their heads, to get some air.One stove was provided to heat the room but was inadequate. Very little wood was given to the prisoners a day. Many times the stove would not be burned during the night due to not enough wood. Every available chair or box and even parts of the bunks were burn. Prisoners would even form a circle around the stove and Show MoreRelatedLegalizing Human Cloning1547 Words   |  7 PagesLegalizing Human Cloning Laura Johnson Philosophy 103 May 10, 2010 Part I: Thesis We are in a technological and medically advanced age to where anything is possible. Technology and medical advances combined us as a people have the ability to gain from each opportunity that we invent. 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Is Maurice a Hopelessly Flawed Text free essay sample

Is â€Å"Maurice† a hopelessly flawed text, or a thoughtful adaptation of the novel form to the subject matter and a strong intervention in debates of the time? E. M Forster dedicated his novel â€Å"Maurice† to a â€Å"happier year†, affirming his intention of the novel’s purpose as an insight into the future evolution of sexual desire and relationships, leading some to attach significance to the text as a protagonist of controversial debate of the time . Forster delayed publication of Maurice for 57 years waiting for a time where wider concepts of desire could be explored without recrimination . Indeed, it has been argued that the novel was self-prophetic in predicting experiences Forster had not had himself, who later described his own sex life within the framework that Maurice had provided . Forster’s autobiographical parallels with Maurice has fuelled debate as to whether the novel was significant as â€Å"a strong intervention in debates of the time† or alternatively a â€Å"hopelessly flawed† text. It is submitted at the outset that neither dogmatic view is entirely authoritative regarding the significance of Maurice and this analysis explore the premise that perhaps the flaws associated with Maurice were a necessary evil in presenting E. M. Forester’s gay ideology. Forster’s self proclaimed significance of the novel as a symbol of the future is juxtaposed with Maurice reflecting on the past . In the â€Å"Terminal note† to the novel, Forster asserts that Maurice’s escape with his lover in the ending â€Å"belongs to an England where it was still possible to get lost. It belongs to the last moment of the greenwood. † The juxtaposition is further highlighted by the fact that whilst Maurice is set in Georgian England, the lovers apparently disappear to an England of the past, however the irony here is that they escape to an escape that was not possible in 1913 . Forster justified this on the basis that a happy ending was imperative, â€Å"I was determined that in fiction anyway two men should fall in love and remain in it for the ever and ever that fiction allows, because in this sense Maurice and Alec still roam the greenwood. † However, searching for a world of the past and waiting for â€Å"a happier year† was not realistically possible and therefore â€Å"Maurice and Alec inhabit a novel twisted in the grip of time †. As such, it has been argued that these contradictions are Maurice’s flaws, leading some commentators to assert that â€Å"they result from self-hatred and indecision, from escapism and self-indulgence and have therefore disappointed readers of all kinds †. Conversely, this literal interpretation of Forster’s â€Å"flawed† narrative can also be viewed as meritorious in propagating strong debate at the time. For example, Maurice’s dedications to the past are symptomatic of the complexities of any relationship whether heterosexual or homosexual and it is possible to read Maurice’s conclusion as a symbol of â€Å"experimental temporality †. For example, the selfhood is reflected through a corresponding narrative, which defies traditional convention of sequence and tense, which results in a â€Å"healthy circle† of time and narrative . It is this very structure that characterises Forster’s writing through Maurice which has been utilised to assert Forster’s ingenuity in groundbreaking literary work. Similarly, whilst the actual concept of looking to a past that doesn’t exist may theoretically be flawed, it is arguable that it this very â€Å"flaw† is essential to communicating Forster’s intentions in Maurice. In Utopian fiction, it is common to describe an ideal past to highlight the possibilities in an ideal future on the presumption as Maurice propounds that a â€Å"happier year† will come when past possibilities that never materialised can return without recrimination . This view has distinct parallels with Edward Carpenter, described as â€Å"the first great theorist of homogenic love, who inspired Forster and many others with his justifications of the â€Å"Love of Comrades. † Indeed, Maurice was â€Å"the direct result of a visit to Edward Carpenter at Millthorpe† . Carpenter’s work â€Å"Homogenic Love† (1894) justifies a homophillic future through reference to the role played by homosexual bonds in civilisations of the past which clearly influences the stance in Maurice that homosexuality will have the greatest acceptance â€Å"if refracted through cultural nostalgia , which is symbolised through reference to the English greenwood . Moreover, the depiction of a homosexual future as a return from an idealistic past arguably produces a â€Å"charming pastoral eclogue †, which in turn is Forster’s method of fusing criminal and mainstream desire to bolster the defence against claims of perversion. However , Maurice clearly has implications for homosexuality beyond this. The past/future syndrome contained in Maurice’s temporal nature conveys a broader vision of the relationship between sexuality, identity and time . As Gregory Bredbeck has observed the intertwinement of these three categories have created â€Å"alternative subjectivity of the â€Å"Urning† †. This practice underpins the indivisibility of being and therefore the impossibility of distinct identity, which Forster utilises as a unifying concept justifying all love. Eve Sedgwick notes that â€Å"there currently exists no framework in which to ask about the origins of development of individual gay identity that is not already structured by an implicit, trans-individual Western project or fantasy of eradicating that identity †. Accordingly, Forster’s â€Å"dis-identification † through refusal of time is arguably instrumental in the development of individual gay identity. Furthermore, it is propounded that the connection between gay subjectivity and the refusal of time forms the foundation for Maurice’s origins, with the â€Å"dissentions into past and future, Maurice stops time’s flow, and does part of what is necessary to open up a homosexual life that is not just another version of heterosexual identity† . This therefore begs the question as to why Forster would want to deny identity. One view is that Forster’s compromise between identity and conventional narrative was perhaps necessary for the time as Forster would have known that â€Å"what first made a homosexual identity out of incoherent homosexual acts was a force both hostile and repressive . † On this basis, the denial of identity was necessary for Maurice to succeed in creating empathy for the portrayal of love within a homosexual framework as opposed to the focus on homosexual acts, which had defined identity . As such, it has been argued that only â€Å"time could fight that force insofar as a reversal of the transformation of acts into identity would disperse identity out of temporal linearity †. However the difficulty with this perspective is that it intrinsically leans towards a flawed narrative within the novel format and if â€Å"Maurice aims at such a temporal dispersal, can it express its aim in plot, which by definition orders events in much the way identity orders acts? † It is argued that contemporary portrayals of temporality centre on â€Å"moments, map mystical states of being, and seek to simulate duration or the anachrony of true tale-telling; they try to reveal time’s perceived disorder†, which opens up a flourishing narrative. However, Maurice’s time shifts, block time and the narrative â€Å"without freeing the flux that fiction enjoys †. Whilst this may render Maurice a peculiar piece of fictional narrative, the time-shift reversals arguably heighten the plight of Maurice’s escape with his lover, which is central to the plot development and Forster’s purpose. Nevertheless, Maurice’s structure contradicts the chronological narrative, thereby highlighting the symbolism of homosexuality creating chaos in the â€Å"natural order† . In failing to confirm to conventional narrative, the awkward discourse shapes snatched moments of masculine love restricted by social taboo. This creates an internal paradox and begs the question as to whether Maurice’s structure in fact results in â€Å"an expression of homosexuality that is incompatible with narrative discourse † and as such incompatible with Maurice itself. Alternatively, it is suggested that interpretation of Maurice needs to be viewed in relation to â€Å"postures of a truly alternate sexuality †, which redeem the flaws and Forster’s place in gay writing, by propagating the â€Å"gay outlaw †. On this line of reasoning, Forster’s contradiction of the â€Å"law of narrative† is not flawed but â€Å"rather a function of qualified obedience, † underlining the incompatibility between narrative form and homosexual desire. As such, it is arguable that Maurice does in fact operate as a â€Å"strong intervention in debates of the time† by breaking convention and resulting in what some critics have termed â€Å"hetero-narrativity† , which in turn conveys Forster’s depictions of homosexual love. In Forster’s Aspects of the novel , he asserts that â€Å"time, all the way through, is to be our enemy† as the problem of literary history. Furthermore, Forster concedes that through the narrative â€Å"the time sequence cannot be destroyed without carrying in its ruin all that should have taken its place† . The use of â€Å"should† would suggest that Forster would prefer something did replace the concept of â€Å"time† within the narrative . The express conflict between Forster’s preference and simultaneous acknowledgement of its futility underpins Forster’s justification for breaking with the conventional narrative . In Aspects of the Novel , Forster also contrasts â€Å"life in time† which is described as inexorable and oppressive with â€Å"life by values†, which alternatively is richer as a principle of order . Forster asserts that â€Å"Artists but also â€Å"lovers† enjoy partial deliverance from the tyranny of the former into the grace of the latter †. This personification of Maurice’s discourse of examining â€Å"life in time† and â€Å"life in values† in unconventional ways further fuels the debate regarding the plight of homosexuality and the changing face of masculine love . However, this sits uneasily with â€Å"correct† fiction as â€Å"in the novel there is always a clock† . Accordingly, the reality of â€Å"life in time† is not always possible for the novelist according to Forster, who asserts this distinction â€Å"with implicit pessimism about the hopes for Maurice and the subculture for which it would speak †. Indeed Forster himself would appear to acknowledge this intrinsic flaw within the narrative of Maurice when he observes that â€Å"it is always possible for you or me in daily life to deny that time exists and to act accordingly even if we are sent by our fellow citizens to what they choose to call a lunatic asylum. But it is never possible for the novelist to defy time inside the fabric of his novel †. Accordingly, it would appear that the very â€Å"flaws† in Maurice are justified on the value of fighting time and Forster comments that â€Å"the life in time is obviously base and inferior† and he demands â€Å"cannot the novelist abolish it rom his work, even as the mystic asserts he has abolished it from his experience, and install its radiant alternative alone ? † Whilst the rationale behind the break with narrative convention and defiance of time is central to the theme of homosexual identity in Maurice, it contradicts Forster’s own claim that the central purpose of a novel is to deliver a story. As such, the narrative in Maurice appears to undermine Forster’s own distinction between story and plot. Forster further asserts that â€Å"narrative happens in the movement from story to plot, as causality gives a further turn to the screw of temporal order †. However Maurice’s time inversion, clearly results in reversal. Alternatively, Maurice’s subversion of the traditional sequence emphasises the moment, forcing the reader to pause and consider Forster’s depiction of masculine love. This alternative experience through unconventional discourse creates a sense of timelessness within the â€Å"life by value† theme, which also characterises Forster’s ideal of homosexual life unmapped by identity . Forster’s depiction of homosexual equality as a possibility in this manner has been described as being â€Å"tenselessness †, as â€Å"the novel’s effort to find a tenseless form for homosexual desire †. This argument is developed further with claims that â€Å"Forster uses linearity to convey irony in time†¦Ã¢â‚¬ ¦. Sorting through various alternatives to the life-in-time; and how he ends just where Aspects of the Novel sees all novelists perpetually at work: in the British Museum, where Maurice and his lover learn to live- happily never after? In Maurice’s temporality †. From the perspective of the â€Å"tenselessness† ideology, it would seem to further explain Maurice’s attempts to deny life in time to promote possibility of acceptance of homosexual desire . Moreover, this interpretation of the narrative in Maurice further supports the view that the novel acted as strong intervention in debates, not only in sexuality but in the evolution of modernist accounts of time where â€Å"it is becoming that enjoys association with innovation, experiential accuracy, and higher truth †, in contrast to conventional views of time which â€Å"tend to suffer association with conventionality, falsity and insensitivity †. On this basis, the concept of â€Å"tenselessness† reverses the conventional associations of time towards a notion of â€Å"pure† becoming within identity, which is part of Forster’s temporality . Furthermore, the contravention of conventional time concepts explains Forster’s â€Å"peculiar combination of the conventional and unconventional, † which is utilised to foil the conventional heterosexual myth of passage . It is argued that Maurice’s unconventional discourse does not go as far as complete subversion, but instead â€Å"expresses a tenselessness will to have different cultural moments simultaneously †. It has been propounded that the homosexual fantasy in Maurice utilises philosophical realism to enable reversal of narrative categories between story and plot . As such, Maurice’s sharp pace and brisk narrative asserts an ironic undertone to a subliminal counter story. The linear discourse follows a chronological path, which is juxtaposed with the narrative discourse which through its intrinsic â€Å"flaw† emphasises the true story of time reflected through homosexual love . Maurice is arguably most successful in expressing Forster’s homosexuality through this implicit ironic relation between discourse and story . The first few chapters adopt a regular narrative, which have been described as â€Å"almost unreadable†¦Ã¢â‚¬ ¦.. erse and uncomplicated descriptions, an iterative verbal mode that flattens temporal distinctions†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ between chapters give the beginning of Maurice an absurd linearity†¦Ã¢â‚¬ ¦. Which reflects the falsity of tense, and favours, through irony, a tenseless reality †. For example, in the first few chapters after the description of the outing, Forster abruptly shifts t o the present â€Å"From this to the boys† . The bare simplicity in language and explanation of events is almost bored with itself and weak, making no transition . When we are introduced to Maurice, his description reflects the tone of the narrative to that point: â€Å"he was a plump, pretty lad, not in any way remarkable. In this he resembled his father, who had passed in the procession twenty-five years before, vanished into a public school, married, begotten a son and two daughters, and recently died of pneumonia †. This description highlights the bleak nature of Maurice’s future as though a predetermined certainty. Forster utilises this seemingly plot-less protagonist to highlight the contrast with the â€Å"way homosexuality will save both protagonist and plot †. As such, the structure of Maurice refutes tense and narrative, leaving the field open for alternatives to the life in time . The pre-existing societal models of family dictate that Maurice will â€Å"grow up to be like his dear father in every way† . This ironic assertion is dramatised from the reader’s perspective in knowing from the outset that he will not and the expectation is that Maurice will discover another way to live in time, which will unfold through the narrative. The reader’s knowledge is contrasted with the â€Å"large elliptical gaps that come between them. Spaces separate the early chapters of Maurice’s life, much the way that gap disallow real becoming in the plot of the life of his father †. The ellipsis emphasises that if Maurice’s life continues in initial mode, it will contradict Forster’s tenselessnesss . However, the ellipsis is extremely effective in serving the dual role of seeming to doom Maurice whilst simultaneously breaking the chain of convention , which heightens the suspense from the reader’s perspective on how the plot will unfold. The irony of Maurice’s conventional â€Å"life in time† portrays a subdued view of homosexuality’s â€Å"available temporality †. Robert K Martin observes that Maurice propounds two versions of homosexuality, claiming the first half dominated by Plato and indirectly the proponents of â€Å"Greek Love† and the second dominated by Edward Carpenter . The two versions unfold in a gradual progression from Maurice’s conventional life to the Greek alternative, which results in â€Å"another version of the same, and it is only in the novel’s â€Å"second half† that the truly different temporality emerges †. From this perspective, Clive can be viewed as the protagonist of Greek love, living by a homosexual ideology that seeks â€Å"intense present moments† justified with reference to the Greeks, but â€Å"doomed to die with decadence †. Maurice’s first lover effectively turns out to be another limb of convention, living for the present, which destroys the moment. Clive’s subsequent betrayal through â€Å"conversion† to heterosexuality isolates Maurice to find another version of homosexuality within Forster’s temporal ideal. Forster permits this though the temporal structure of the novel itself, which is purposely detached to focus on the moment . Clive unwittingly raises Maurice’s awareness of his heterosexual side, which is effective in reminding the reader of â€Å"temporal connections that rouse convention †. In focusing on the present, Clive prevented the development of homosexual identity that may have grown according to the principles of Forster’s gay ideology. This is further evidenced when Clive and Maurice have â€Å"one long day in the light and in the wind† and they break school rules and are describe as being â€Å"beyond humanity, and death, had it come, would only have continued their pursuit of a retreating horizon . This statement is central to Maurice’s development in the novel and the reference to death highlights the tension between the â€Å"boy’s certainty of going on and the narrator’s refusal to believe that time works that way †. Moreover, the usage of anticipatory rhetoric asserts the temporary nature of this kind of homosexual happiness, which creates irony within the portrayal of the Greek love version of homosexuality . The conversion of Clive further suggests at this point in novel that the intense bliss of the present will not be repeated. Whilst some have argued that Clive’s conversion is merely a superficial retreat into the closet, it is submitted that the â€Å"double structure of Maurice should compel us to see the change as a failure of the homosexuality available to him †. This is further demonstrated by Forster’s rhetoric within Maurice which depicts the ease with which Clive converts as opposed to succumbing to any perceived pressure to conform: â€Å"Ada was the compromise between memory and desire, she was the quiet evening Greece had never known. No arguments could touch her because she was tenderness, who reconciles present with past †. The adjectives depicting Ada replace Greek passion for domestic heterosexual bliss. However, it is too simplistic a view to merely assert that this portrayal of Clive renders Maurice a hopelessly flawed text. Conversely, Forster’s portrayal exposes the flaws in perceptions of homosexuality, which Forster hoped to exploit in presenting his version of gay ideology. For example, whilst Clive wants to now â€Å"go quietly ahead†, Maurice symbolises an escape from the present, furthering the evolution of the two heads of homosexuality. Forster emphasises this through irony with his extended metaphor portraying Maurice’s epiphany as a â€Å"thunderbolt that dispels the clouds. The storm had been working up not for three days as he supposed, but for six years. It had brewed in the obscurities of being where no eye pierces, his surroundings had thickened it. It had burst and he had not died. The brilliancy of the day was about him, he stood upon the mountain range that overshadows youth. He saw. † This extended metaphor depicts a conversion that enjoys more control. The other conversion occurs when Maurice loses Clive in a world where â€Å"one must marry or decay† , leaving Maurice to seek a solution. At this point, he is awakened by his encounter with Scudder: â€Å"he struck against corduroys, and was held for a moment by both elbows; it had been Scudder escaping from Mr Borenius. Released, he continued his dreaming† . The development of Maurice’s relationship with Scudder takes a turbulent passage, culminating in the â€Å"happy ending†. When Maurice and Scudder meet in London, Scudder’s blackmail threat and subsequent confrontation with Maurice at the British Museum results in intimacy; â€Å"wandering from room to room as if in search of something†. Whilst Scudder and Maurice then leave the narrative, â€Å"the narrative from this point slips more and more into the structure of the Museum † which as an established institution contrasts with the spirit of sexual rebellion. However, it is questionable whether Forster’s discourse can constitute a â€Å"subversion† of narrative structures and it appears that the â€Å"attack on linearity only happens through irony †. As submitted at the outset, it is too simplistic a view to assert that Maurice is either a hopelessly flawed text or alternatively a thoughtful adaptation provoking strong debate. Whilst intrinsically flawed as regards the narrative structure and concept of time, it is precisely this flaw which renders Maurice a thoughtful adaptation fuelling strong debate at the time. Like many novels, the narrative in Maurice resists closure but does not leave the narrative open ended. The ending is actually conclusive in running to the end of Clive’s life and the lack of closure derives from defiance of the ending itself : â€Å"The narrative line does not simply end, it frays, which cannot give us Maurice’s disappearance, and if it were to try, and to try to make narrative as a whole expressive of the implications of that disappearance, fraying would run all the way up the line† . Maurice’s tenseleness and lack of presence further asserts the attainment of Forster’s gay ideology. Whilst the time reversal bears relation to sexuality in producing interesting narrative results, it highlights the falsity of conventional heterosexual life as the established ideal through irony , whilst balancing the presentation of homosexuality through aesthetical homosexuality and exposes the dangers in its insufficient different temporality . This enables Maurice to realise his passion as a viable option only when he escapes the narrative, contradicting conventional plot models . However, it is precisely this break with conventional narrative through subtle modes, which render the portrayal of unconventional desire so effective . The move towards subversion reflects the central themes of Maurice and character development. Furthermore, whilst ending with a conventional â€Å"happy life† through Maurice’s escape, the focus on Clive who is left behind follows the subversion, which in turn results in the ultimate attainment of Forster’s vision of homosexualit.

Samsung Safety Truck Essays - Technology, Economy Of South Korea

Samsung Safety Truck Argentina, an exotic country with a high amount of one/two lane roads that people die on over-taking because of slow and heavy vehicles, 80% estimation defines deaths in Argentina on roads due of this cause. Samsung with Leo Burnett has launched a technology for trucks that protects the lives of people through innovation, to be more precise: to save lives. In this essay, I will conduct a critical and analytical research about project Samsung Safety Truck, the most focused aspects will be on how this project can save people lives, how is it safe, what are the risks and recommendation for this innovated project. Every organisation is striving for competitive advantage and maintain high performance standards, collaborate and team-oriented projects are increasingly provided with flexible mode, to excel. However, they are still organisations are failing due of recognitions the core determination of team-work framework, by grouping employees into non-connected, non-dependent individuals. The important approach is collection -bases, because it distinct from team-specific ingenuities and fails to meet the difficult factors of dynamism that are important in the marketplace. Majority of people use the word "team" to define "employees". A "sales team" is mutual example of this moveable or perhaps indirect usage, though independencies are existing in organisations, and a sales team are like to be let down by poor performance on other sides of the organisation upon which sales team depends, such as deliveries after service, etc. However, "sales staff" is a more precise and targeted for the t ypical arrangement. Samsung Safety Truck Project is developed on saving lives and decreasing road accidents, but is it save and can it handle any type of weather and environmental conditions? Every Project has its own idea and innovation, one of the innovated projects that Samsung try to reach is to add a huge OHD video walls on the Volvo trucks to capture and transmit a picture of the road ahead, to make sure drivers are having better and safer decisions to over-take heavy and slow vehicles. Furthermore, the displays are in high quality designed to be dustproof and waterproof. The question is, can we count on the displays in any conditions, and having a clear image nevertheless of the road or weather? To answer these questions Valere Lourme mentioned (Manager of Marketing Communications at Volvo Trucks): "Safety is basic principle in any project of Volvo Trucks and it's what keeps the group active to eliminate the risk of accidents". Samsung Newsroom (2016) Corporate Technology Resource, retrieved : 28 th March 2017 from: https://news.samsung.com/global/samsung-presents-firs t-samsung-safety-truck-prototype Statistically in Argentina the traffic accidents are one of the highest in the world, one death occurring every of the day, that's 80% deaths in two-lane roads, drivers attempting to overtake another vehicle mentioned above. We can clearly see from the statistical point of view there is an insight that needs to be resolved asap, therefore Samsung and Leo Burnett saw an opportunity and join with their technological creative imagination and tackle to the road-safety issue. The term of "Safety Truck" is defined by equipping a wireless camera, installed at the front of the vehicle that captures real-time footage of the road, and that consumes it for four exterior Samsung displays on the truck's rear wall. To shield this fact of how effective this test was on Argentina roads, the impact that Samsung has executed awarded them with a couple of awards such as: Seven Lion s, one Titanium Lion (Recognizes breakthrough idea), two gold Clios, Gravity Award at Adweek's Project Isaac Awards and a Grand Prix award. "The Safety Truck has seen as a successful execution" Samsung "The Safety Truck" (2016) Fifteen of 15, retrieved: 28 th March 2017 from: http://leoburnett.com/articles/work/samsung-the-safety-truck/ Come in back to build a something that can save people lives is always not an easy mission to tackle, and clearly not on its own. With a creative mind and team with attributes such as: Commitment, creativeness, and solid productiveness, you can reach or create something unique. And that's what Leo Burnett with Samsung has started, joining together has gave them opportunity to save people lives by teaming up and developed something innovated. "Team skills are often overlooked, yet they are essential to successful teams"

Enemy at The Gate Movie Review, Summary, and Critique †Film Essay

Enemy at The Gate Movie Review, Summary, and Critique – Film Essay Free Online Research Papers Enemy at The Gate Movie Review, Summary, and Critique Film Essay A hero never chooses his destiny. His destiny chooses him. Enemy at the Gates is a rare World War II movie that does not involve the Americans. The title of the film is taken from the book Enemy at the Gate: The Battle for Stalingrad (1973) by William Craig, which also documents the real-life war exploits of Vasilli Zaitsev. It was an entertainment, a history lesson, and a sappy love story all rolled into one. The writer and director Jean-Jacques Annaud demonstrates it is possible to make a successful, real-life film without focusing on the entire epic war. The Battle for Stalingrad was one of the most important battles of World War II. In 1942, Hitler initiated a major offensive that was designed to destroy the Soviets’ ability to resist. The offensive opened in June, took the Russians by surprise, and began to record successes. Hitler had dual objectives and intended on simultaneous diverging attacks at Stalingrad and the Caucasus. Hitler’s general warned that their forces were not strong enough to carry both objectives at the same time. Enemy at the Gates entails the story of a cat and mouse game involving young Russian sniper (played by Jude Law) Vassili Zaitsev, and Maj. KÃ ¶nig sent specifically to eliminate Vassili. The movie begins with a flashback of Vassili as a young boy. A dappled horse is tethered in a snowy field as bait to draw wolves. The shepherds son, being taught how to shoot by his grandfather, watches in horror as the wolf attacks the helpless horse. Jude Law plays Vassily Zaitzev, a Russian shepherd who is drafted into the Soviet army and dispatched with other troops to help halt the Nazi advance at Stalingrad (now Volgagrad) during World War II. The Battle of Stalingrad was a turning point in World War II as Hitlers long running string of military victories was halted and his armies faced their first real defeat. The Nazi advance across Europe was halted here and the German army began its slow retreat from Russia. But the broader implications of the battle for Stalingrad are in the background in this movie as the focus quickly shifts to the struggle between the Russian draftee, Vassily, and his German opposite, Major Konig (played by Ed Harris). Konig is a professional army sniper who trains snipers for the German army. Vassily is a peasant who has been raised by his grandfather to conserve scarce ammunition by making every shot count by bringing his prey down with a single shot. But Vassily and Konig are in reality just pawns in the larger struggle between Moscow and Berlin as victory at Stalingrad is crucial to overall victory and victory for Vassily or Konig is crucial to victory in the Battle of Stalingrad. The movie opens with Vassily stalking and shooting a wolf in the frozen Russian countryside and then quickly moves to his being drafted and put on a troop train to Stalingrad. The scene is bleak as the raw recruits leave the train and get into boats to cross the river to Stalingrad. In the water they immediately come under fire from the German artillery but face certain death from the guns of the Soviet Army if they turn back. Once inside the demoralized and besieged city, Vassily puts his shooting skills to good use. Danilov quickly sees Vassilys potential as a morale builder and convinces his superiors to utilize Vassily as a sniper. The cinematography and settings are used very effectively to convey the harsh and brutal conditions that residents and members of both armies had to endure as they coped with the brutal Russian winter and the all out devastation of modern urban warfare. This film will become another unforgettably spectacular war films. A generally historically accurate film, there is one mistake In the scene where Zaitsev meets Kruschev, the wrong national anthem is playing. The 1944 anthem is played, and the film takes place in 1942. The band should have played The Internationale, written in 1848. Research Papers on Enemy at The Gate Movie Review, Summary, and Critique - Film EssayAppeasement Policy Towards the Outbreak of World War 2Where Wild and West MeetHarry Potter and the Deathly Hallows EssayAssess the importance of Nationalism 1815-1850 EuropeThe Hockey GameHonest Iagos Truth through DeceptionThe Spring and AutumnBook Review on The Autobiography of Malcolm XUnreasonable Searches and SeizuresGenetic Engineering

Article Rebuttal Essay Example for Free (#2)

Article Rebuttal Essay Abortion is a disagreement that has been discuss for years. Kenny, Ph. D. and Swope (2013) of American Thinker has share with its’ audience the understanding of the struggle women has in making a decision to continue a pregnancy or to abort an unplanned pregnancy. In analyze the information in the article the reliability, credibility, and validity of the data used by Kenny, Ph. D. and Swope comes from independent psychological analysis of women’s hidden, emotional response to pregnancy, abortion, and motherhood (Kenny, Ph. The writers of this article indicated that the interviews took from 75 to 110 minutes, which require them to visualize, replicate, and use relaxation techniques in accessing these individual emotional minds, and to uncover deeply seated emotional needs and barriers (Kenny, Ph. D. & Swope, 2013). Significantly, some of these problems that relates to abortion are ethical, and religion. However, a woman has right to do whatever she want to her own body and upon her own judgment, whether it is to keep the baby or to have an abortion. In Fact, a woman has the authority to make the decision whether to have an abortion or not based on her personal desire, financial status, or unwanted pregnancy. Kenny, Ph. D. and Swope (2013) have provided information regarding the circumstances and how abortion can affect a woman mental state of mind. Most important is to deny a fetus by terminate the fetus merely does not mean that the person is slaughter a person. It could be that the pregnancy was an unplanned pregnancy from rape, incest, or the feeling of not wanting to bring a child in the world under certain circumstances. An example would be a medical condition that may be a live or dead situation or simply because she not ready for motherhood because of her age. For instant, a teenage girl between the age of 14 and 20 still in high school and going to college and who is struggling with finances are liable to have an abortion. She may become remorseful, but she has to think about how pregnancy can affect her future and life. In conclusion, a woman rights to be pregnant or to abort an unwanted pregnancy should solely be left up to her no matter what her reason may be. Because she is the one that have to deal with the issues of bring a child in the world or removing the fetus to remove the stress not those groups such as the pro-lifer. Article Rebuttal. (2016, Sep 16).

Management and Organisations Individual REPORT Essay

Management and Organisations Individual REPORT - Essay Example Through such cultures, the allowance of personal goals to subsume the team goals becomes rather difficult as they go against the core drivers for elements of self-preservation. The elements of team operation have a major effect on considering the different teams and elements types for team effectiveness. The major components of team effectiveness include viability and performance. Performance focuses on success in the delivery of several outputs (that is, services, products, information, or performance events) to the prospective consumers across the organization. The organization viability element has a future orientation and inclusion of continuity. The variability of viability is the ability towards maintaining the integral group membership while responsibility has to do with a shared group purpose. Cohesion refers to the responsibility of appreciating each of the team member’s contributions while capability describes the accomplishment of shared purposes (Cascio, 2006). For gaining success, teams have to focus on the integration of viability and performance. Researchers offer different explanatory models towards helping accurate conceptualization of team effectiveness. There is a pioneering development into input-process-output model in measuring organization effectiveness. Even with the age of the idea, most other models for work group effectiveness have a heavy reliance on it. Inputs have a key change driver for processes in case they mediate the effects of such inputs to their issues (Mullins, 2007). Inputs embrace all personal elements (such as experience, expertise, personality, and status) brought to teams when formation. The process variables engage the interaction of different team members of social information exchange, attempts leadership, and influence) as well as inherently dynamic outputs. They refer to yields from the group. From these, process variables

Systematic review critique Essay Example | Topics and Well Written Essays - 1500 words

Systematic review critique - Essay Example There are statements that also include recommendations which are aimed at optimizing the care of patients which are called clinical practice guidelines. These guidelines are supposed to be guided by systematically reviewed evidence and an assessment of harms and benefits of all the alternative options for the care of patients. Rather than offering a one –size-fits-all kind of approach for the care of patient practice guidelines should in theory give an evaluation in terms of quality and precise scientific literature arrived at through extensive research and assessment of the possible harms and benefits of any particular treatment. This kind of information is supposed to enable the providers of health care to continue correctly in the selection the optimum care for each individual patient while taking into consideration their personal preferences. This is highly doubtable due to a large number of reasons in theory and on paper these guidelines should be easy to arrive at and fo llow but that is definitely not the case. The United States congress by the â€Å"Medicare Improvements for Patients and Providers Act of 2008† requested the institute of medicine or IOM to conduct an extensive study of the most suitable methods as used in the development of clinical practice guidelines. Aiming to ensure that organization undertaking the development of these guidelines the suitable approach which would ideally be objective, valid scientifically, reliable and consistent, the IOM put together a committee of experts. This committee came up with eight very ambitious standards for developing the best clinical practices which can be trusted. Whether they succeeded, however is questionable. In as much as their intentions were in the right place it next to impossible to imagine that they would be followed to the letter some of these standards are bound to be sidelined or overlooked in some